“I went head over heels for the Ramones and the Talking Heads” recalls Seymour Stein, head of the Ramones label Sire. Tracks 12 and 16 from All the Stuff (and More!) Vol.Film of their famous 1977 New Year’s Eve show at London’s Rainbow Theatre is projected at the Queen’s Museum and is a revelation their leather biker jackets, sneakers and T-shirts is unsurpassed as a uniform of the street. Tracks 6, 10 and 15 from Ramones: Expanded Edition (Warner Archives/Rhino R2 74306, 2001) Tracks 5, 7-9, 11, 13-14 and 17 previously unreleased Track 4 from Philips single 6078 510, 1977 Tracks 1-2 from Sire promo single SAA-725, 1976
I Wanna Be Your Boyfriend (Single Version).Ramones: 40 th Anniversary Deluxe Edition (Sire/Rhino, 2016)Īmazon U.S. / Amazon U.K. / Amazon Canadaĭisc 1: Original LP (Sire SASD-7520, 1976) in stereo and mono (previously unreleased) Deluxe packaging includes Leon's production notes from the recording of Ramones, an essay by Mitchell Cohen and photos by Roberta Bayley, a photographer for Punk magazine who shot the album's iconic coverįans can cry "Hey! Ho! Let's go!" all over again when Ramones: 40 th Anniversary Deluxe Edition-available as 19,760 individually numbered copies-hits stores July 29. One was included as bonus material for a reissue of the band's sophomore album Leave Home in 2001, while the second set is previously unreleased Two fast-paced sets at The Roxy in Los Angeles on August 12, 1976. A disc of 18 single mixes, outtakes and demos, eight of which are previously unreleased ("All the original monitor mixes and early mixes we did in the studio were mono," he told Observer earlier this year, "so I recreated the mono mix out of my original notes, which luckily were quite meticulous.") A new mono mix, recreated by producer Leon and available on both CD and 180-gram LP. 111 on the Billboard 200 and "only" was certified gold by the Recording Industry Association of America in 2014!)įor Ramones' 40 th anniversary-an occasion that's been marked across the country by tributes including exhibits at The Queens Museum and Los Angeles' Grammy Museum-Rhino is greatly expanding upon the band's impressive 25 th anniversary reissue from 2001 with a host of rare and unreleased material. 33 on Rolling Stone's 500 Greatest Albums of All Time, topped SPIN Alternative Record Guide's list of best albums, and was added to the National Recording Registry in 2002.
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None of the 14 songs stretched past two and a half minutes, and the LP itself didn't even crack a half-hour-but its urgent energy would lay the foundation for a host of bands in the late '70s throughout both America and the United Kingdom.Ĭritics were cautiously optimistic at the time- Rolling Stone called it "one of the funniest rock records ever made, and if punk continues to gain momentum a historic turning point"-but 40 years on, thanks to tracks like "Judy is a Punk," "Now I Wanna Sniff Some Glue," a straightforward cover of Chris Montez's '60s classic "Let's Dance" and the iconic opener "Blitzkrieg Bop," Ramones is a bona-fide classic. Signed by Seymour Stein of Sire Records, the Ramones and producer Craig Leon famously recorded their debut quickly and cheaply, for the bizarre sum of $8,400.
Their sound was described in one word by a local zine of the same name: punk. The Ramones-lead singer Joey, guitarist Johnny, bassist Dee Dee and drummer Tommy (all pseudonymous)-had been gigging since 1974, offering short, sharp-edged songs that stoked the flames of a new direction in rock music, coalescing around the downtown club CBGB. Almost no one knew it then, but this was a musical movement, as potent as Elvis Presley's first swivel or the first haze over Woodstock.įour decades later, Rhino Records celebrates the incredible legacy of the self-titled debut album by the Ramones with a 3CD/1LP box set, due this summer. It was unlike anything audiences had heard or seen: four leather jacket-clad, shaggy-haired ne'er do wells from Forest Hills, Queens, offering loud bursts of sneering rock and roll as grimy as the streets they stumbled across.
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